The Fold: Inter-Dimensional Holmes

The Fold by Peter ClinesThe Fold by Peter Clines

Published: June 2nd, 2015
Publisher: Crown
Genre(s): Science Fiction, Horror
Format: eBook
Length: 384 pages

My first exposure to Peter Clines’ work was thanks to Audible, which recommended his earlier novel, 14. I rarely buy books without existing knowledge or recommendations to go on, but the summary sounded really interesting – a man moves into a Los Angeles apartment building and starts experiencing mysterious and possibly supernatural events – and the narrator, Ray Porter, was excellent. I ended up really enjoying that book, and added Clines to the short list of authors I plan on reading as thoroughly as possible. Accordingly, when I saw that he had a new novel coming out this year, I immediately wanted to get my hands on it.

In The Fold, teleportation is a reality… but it’s not quite ready for public consumption. Enter Mike Erikson, a man with an eidetic memory hired to find out why the scientists involved refuse to share their invention with the world. Thanks to his observational skills and analytical mind, he soon discovers that things are not what they seem and that “the fold” is far more dangerous than anyone imagined.

The Fold’s strongest points are its plotting and sheer readability. I tore through the book in a matter of days, and I was definitely hooked throughout, forgoing sleep and important chores so that I could continue reading. Clines is skilled at subtly injecting creeping horror into his stories, and I loved that feeling of being slowly drawn into something horribly doomed. Clines also injects timely pop culture references throughout, which makes the book feel grounded in the here and now

Anyone who has read Clines’ previous work knows that he has a fondness for a certain brand of cosmic horror. When hints of a connection to the world of 14 started cropping up in The Fold, I immediately had a guess where the story might be going. Although this did make the book slightly more predictable for me, I was also excited to know that Clines was continue to play in a setting that I throughly enjoyed.

Unfortunately, the characterization in The Fold isn’t quite up to snuff. Mike isn’t given much depth other than his stated discomfort with using his intellectual abilities, and we are only provided the barest glimpse into his life before this story begins. Most of the time it felt like his function in the plot was more important than who he was as a person, and ultimately he became a kind of Holmes pastiche without the humanizing flaws or down-to-earth partner.

The other characters don’t fare better. The supporting cast is a bit one-note, and Jamie, the love interest, reads like such a wish-fulfillment cliché that Clines hangs a lantern on it:

She sighed. “All that brain power and it never occurred to you why a cheerleader turned into a computer geek?”

“I just figured you were some Internet male fantasy come to life.”

I was also disappointed that the novel raises existential issues like whether you’re still the same person after you teleport and then quickly discards them in favor of resolving the story with a series of bloody fights. In fact, the climactic scenes don’t really have anything to do with the side effects of teleportation. Instead, they turn The Fold into the kind of story you could tell about any door into a hostile place, and felt like a bit of a re-tread of 14 in some ways.

Although I did enjoy reading The Fold, I definitely wish the characterization had been stronger. I think there might be a more interesting version of this book, perhaps in an alternate universe, where Clines draws his primary influences from Philip K. Dick’s worries about reality and selfhood. I do still recommend checking out his work, however, and I’m hoping there will be further books in this world.

LIKED IT
LIKED IT

Full disclosure: I received a free review copy of this book from Net Galley.

Amazon | Skylight Books | Barnes and Noble | Indiebound

Sex, Death and Teleportation: The Teleportation Accident by Ned Beauman

The Teleportation AccidentPublished: February 26, 2013
Publisher: Bloomsbury USA
Genre(s): Fiction, Comedy
Format: eBook
Length: 369 pages

Egon Loeser, protagonist of Ned Beauman’s The Teleportation Accident, is an asshole. He’s obsessed with sex, contemptuous of his friends, hopelessly infatuated with a girl who doesn’t return his affections, and completely untalented as a theatrical director. In the hands of a lesser author, such an unlikable main character could be the fatal flaw that alienates most readers. However, Beauman makes up for Loeser’s bad behavior by populating the novel’s supporting cast with striking, sharply drawn characters and filling it with laugh-out-loud comedy throughout.

At the start of the story, Loeser is a set designer in decadent pre-war Berlin. Loeser’s 1931 is full of never-ending parties, desultory work on a play production that never seems any closer to performance, and an ever-vigilant search for good cocaine. The play he is working on is the story of the life of Adriano Lavicini, a seventeenth-century stage designer best known for the tragic accident that ended his career and life.

Lavicini, it seems, built a complex special effect known as the Teleportation Device which brought down half the walls of a theater and killed two dozen people (and a cat). Loeser, set designer for the play about Lavicini’s life, builds a much more modest Teleportation Device that merely serves to accidentally dislocate the star actor’s arms. Different types of Teleportation Devices are a running theme throughout the play; Lavicini’s, Loeser’s and a literal Teleportation Device built by a Californian professor named Bailey who Loeser meets later.

After the failure of Loeser’s stage device, he heads to yet another Berlin party, where he fortuitously runs into a girl named Adele Hitler (no relation). Loeser was Adele’s tutor when she was younger, and when he discovers the pudgy girl he knew has transformed into an incredibly beautiful young woman, he is instantly smitten. This encounter completely changes the course of Loeser’s life; he becomes obsessed with Adele and follows her first to Paris and then to Los Angeles.

As Loeser fruitlessly follows Adele around the world, he runs into a wonderful cast of characters, all of whom leap off the page. Loeser becomes a fan of the hard-boiled fiction of Stent Mutton and accidentally meets Mutton and his wife one day while wandering lost in California. Dolores Mutton, Stent’s knock-out wife, is beautiful but also incredibly terrifying, later threatening Loeser with death in no uncertain terms. Loeser ends up living in the guest house of one Colonel Gorge, a gruff, powerful man who is suffering agnosia, which causes him to confuse pictures for the real thing – hold up a picture of a woman, and he becomes convinced she is there in the room. The book also includes a few chapters from other perspectives; in one, Beauman focuses on a con artist named Scramsfield, who gets Loeser caught up in one of his scams. In another, Beauman tells the story of the surprisingly unhinged Dr. Bailey, whose fraught personal history has influenced the unconventional means and methods he uses to research teleportation.

Even if The Teleportation Accident occasionally rambled, I was always drawn back in by Beauman’s flair for characterization and comedy. I laughed out loud a good dozen times throughout, which is a rare achievement for any book. The only real criticism I’d level against the book is that the opening pages are needlessly obtuse; I wouldn’t be surprised if a number of readers put it down at the beginning out of a worry that the novel would continue at that pitch throughout. Thankfully, once Beauman settles down and gets to business, The Teleportation Accident is a thoroughly readable and highly enjoyable book.

LOVED IT
LOVED IT

Amazon | BookPeople | Indiebound