Paper Girls feels like a forgotten 1980s adventure that piles on the subversive twists. They don’t make movies like that anymore, let alone ones this weird. I think the technical term here is “box office poison,” and yet I’d love to see Paper Girls up on the big screen. It begs for the kind of lovingly nostalgic adaptation that could only work with modern special effects and sensibilities.
Brian K. Vaughan might be one of the busiest writers in comics, and every new project he announces is weirder than the last. The Private Eye was the first series published through Panel Syndicate, a digital-only, DRM-free, pay-what-you-want imprint that releases comics designed specifically for tablets.